I haven’t done any watercolor painting since the new year, which is weird, but I do have a few pieces from 2024 that are going up in a show in a few weeks.
This one went to the framers today. Originally I called it “My Neighbor’s Car on the Taos Plaza” but I need a shorter, catchier name. That one does give you the basic details though. I think it’s around 11"x14". Edit: No, it’s 11.5"x16.5" Arches cold press.
Thank you! I am pretty sure I held my breathe for most of the car part of the painting… “Sunday On The Plaza” maybe since the vintage cars are out there every Sunday that isn’t Winter.
Most of the white in this is the paper with no paint, but I did have to add some white to bring the wheel reflection out a little bit. The bricks on the ground have a salt & white paint wash over them in some places too. Leaving some of the paper unpainted has been an exercise in patience for me with watercolors.
I love them too! In the summer, I always want to spend Sunday afternoon sitting in the plaza with a craft project in my lap just watching people check out the fancy old cars. I also like to imagine which of the cars I would want and how I would paint it.
I completely relate to the challenge of leaving some of the paper white! Thanks for the extra details about how you achieved those effects, really inspiring for a comparitive newbie to watercolour like me. The painting is stunning.
Thank you @bookliz and @Kwality570 !! The photograph compliment is huge! I have been kinda shooting for the line between photorealism and painterly touch in each painting I do. It’s a fun game as well as a huge challenge. And if anyone new to watercolors wants to know more about tricks and techniques, I would love to share. I hang out with older watercolor painters who know all the tricks and I am still new enough that I get excited about how cool some tricks are.