@kayrun I think that’s basically it. It feels like the deconstructed parts of letters that we will put back together later.
I’m getting somewhat more consistent with my drills, and definitely better with the pen, which I found to be thinner/less “juicy” for certain strokes, particularly the “C” and up strokes. The Fude Ball pen was just ok. I had to keep scribbling off page to get the ink to flow smooth.
“It is not down in any map; true places never are.”–Herman Melville
I love the “world’s most urbane schoolboy” vibe . The competition’s just really tight for that spot. (Although who am I kidding; if you gave me ten spots I’d still probably be trying to squeeze in an alternate.)
Today’s lettering drills. I’m finding that I’m not a huge fan of slow lettering and the letters I like best and are smoothest are the ones where I write a bit faster. Will be interesting to see if that changes at all during the class.
An old ticket from when I saw Bill Nye at Purdue, paired with letters from a new(ish) magazine and done on the new paper in my journal vs. the original book page.
Which didn’t make them any better. So today I started making marks all over which still didn’t bring them together so I started laying out some black construction paper cutouts on top to see how reductive painting would work
I wasn’t in love with the shapes but liked the effect layering black on top had. I didn’t want to get out my paint so I took my Poscas to the piece and this is what it looks like now
Still not sure how I feel about it but it was fun keep pushing through and trying things to see what effect they’d have. I liked the techniques and might try another one with some more gelli prints.
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AIMR
(Linda -2024 Choose Projects that You Want to Do :us:)
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You’d never know what the original looked like! I love the added texture the weaving gave…as well as some of the peeks of color on the weaving strips…good experiment!